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viernes, 26 de agosto de 2011
DONIZETTI: La Favorita (Cossotto, Pavarotti)
DONIZETTI: LA FAVORITA - BONYNGE ( Pavarotti, Cossotto, Cotrubas)
La favorita (título original en francés, La Favorite) es una ópera en cuatro actos con música de Gaetano Donizetti y libreto en francés de Alphonse Royer, Gustave Vaëz y Eugène Scribe, basado en la pieza teatral Le Comte de Comminges (1764) de François-Thomas-Marie de Baculard d'Arnaud. Fue estrenada el 2 de diciembre de 1840 en la Opéra de París.
La ópera fue compuesta para el público parisino al estilo de la Grand Opéra francesa (larga duración, ballet, etc). En francés se llama La favorite. Posteriormente, Donizetti realizó una versión para el público italiano, llamada La favorita, que sufrió notables cambios al enfentarse con la censura. A pesar de ser la más conocida, muchos críticos opinan que el texto es deficiente. Esta versión fue estrenada en 1842.
Esta ópera introdujo dos cambios notables a lo que venía siendo la tradición italiana: el papel principal corresponde al tenor y el papel de Leonora no fue escrito para una soprano, sino para una mezzosoprano. Donizetti lo escribió para la cantante Rosina Stolz, mezzosoprano, que era la cantante preferida la ópera de París.
La historia de la ópera transcurre en España, en el año de 1340, cuando Castilla y Portugal se unieron para luchar contra los musulmanes en la Batalla del Salado. Uno de los personajes es el mismo Rey de Castilla, Alfonso XI.
Originally, Donizetti had been composing an opera by the name of Le Duc d'Albe as his second work for the Opera in Paris. However, the director, Léon Pillet, objected to an opera without a prominent role for his mistress, mezzo-soprano Rosine Stoltz. Donizetti therefore abandoned Le Duc d'Albe and borrowed heavily from L'ange de Nisida, an unrealized project from 1839, to create La Favorite. It was revived in Padua under the title of Leonora di Guzman in 1842, and at La Scala as Elda in 1843. Though Donizetti himself was not involved in these productions, the opera is now more commonly given in Italian rather than French.
Donizetti wrote the entire final act in three to four hours, with the exception of the Cavatina and a part of a duet, which were added at the rehearsal stage.
2.1 Act 1
2.2 Act 2
2.3 Act 3
2.4 Act 4
6 External links
Role Voice type Premiere Cast, 2 December 1840
(Conductor: François Antoine Habeneck)
Leonor de Guzmán (Leonora di Gusmann) mezzo-soprano Rosine Stoltz
Inés (Inez) soprano Elian
Fernand (Fernando) tenor Gilbert Duprez
Alphonse XI, King of Castille baritone Paul Barroilhet
Balthazar (Baldassare) bass Nicolas Levasseur
Don Gaspar, officer of the king tenor Pierre François Wartel
A lord tenor Molinier
Mayor, lords and ladies of the court, pages, guards, monks of Order of Saint James of Compostela
Time: Early 14th-century Spain.
A love triangle involving the King of Castile Alfonso XI, his mistress ('the favourite') Leonora, and her lover, Fernando, the story unfolds against the background of the Moorish invasions of Spain and power struggles between church and state.
In the Monastery of St James, the monks are making their way to worship. Superior Baldassare (bass), father of the Queen of Castile, enters with Fernando (tenor). Baldassare knows that Fernando is preoccupied by something. Fernando confesses that he has fallen in love with a beautiful, but as yet unknown, lady. His faith in God remains, but he wishes to leave the monastery in search of her. Baldassarre angrily sends Fernando out of the monastery, warning him of the dangers of the outside world. He predicts that Fernando will one day return to the cloisters, a disappointed if wiser man.
Fernando has found his lady, Leonora (mezzo-soprano), declared his love and received it in return, but he is still unaware of her real identity. She has arranged to meet him on the island of Leon, to which he is brought blindfolded by boat. He is met by Inez (soprano), her companion, who impresses him with the need for secrecy. Leonora enters. She tells him that they can never marry and that they must not meet again, but nevertheless hands him a document to help him in his future. Shortly afterwards the arrival of the King is announced and Leonora leaves. Fernando is left to speculate about her elevated social position. Reading the document she has left him, he finds a commission in the army - an opportunity for advancement.
Rosine Stoltz as Leonor de Guzmán and Gilbert Duprez as Fernando in Act 4
Alfonso (baritone) has defeated the Moors and taken Alcazar. In conversation with the courtier Don Gasparo (tenor), the King expresses his pleasure at Fernando's bravery. Alone, the King expresses his love for Leonora and his desire to divorce the Queen and marry her. He realizes that this will provoke the opposition of his powerful father-in-law Baldassare who is ultimately backed by the Pope. Leonora enters and expresses her anguish at remaining his mistress rather than his Queen. The King suspects that he is losing her affection. Don Gasparo enters with news that a letter has been discovered revealing that Leonora has a lover. She makes no denial, but at that moment Baldassare enters intent on forcing the King to abandon his plans for the royal divorce.
Alfonso is to honour Fernando for his role in the war. He asks Fernando what reward he would like and Fernando asks to marry the woman who has inspired him in his bravery. Alfonso asks who she is and Fernando points to Leonora. The King is astonished to learn that Fernando is his successful rival. In an abrupt change of mind, he orders Fernando and Leonora to marry within one hour. Leonora is left with mixed feelings of apprehension and delight. She decides that Fernando must be informed about her past and sends Inez to him. However, unknown to Leonora, Inez is arrested before she can see him. Fernando only learns the truth after the wedding ceremony. Considering himself dishonoured by the King he breaks his sword, leaves Leonora and entrusts himself to Baldassarre.
Baldassare's daughter, the Queen, has died of jealousy and grief, and her body has been sent to him at the Monastery of St James. Prayers are being said for her repose. Fernando is preparing to enter his new religious life. Leonora enters in a state of exhaustion and faints before the cross. At first Fernando rejects her, but eventually moved by her love and sincerity, he is willing to give himself to her once more, but it is too late, Leonora collapses once more and dies in his arms.
Bruno de Franceschi
Piero de Palma
Bologna Community Theater Orchestra & Chorus
New link cd3: http://www.4shared.com/file/sdyJ-7w7/La_Favorita_Disc_3.html
Publicado por Raffstein en 16:57 2 comentarios Enlaces a esta entrada
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